Hey! If you read this blog often, you may well be into drawing, so why not have a go at entering the inaugural Derwent Drawing Prize?
The Prize is open to all living British and international artists over the age of 18 years old on 1 July 2013 and there’s a total of £8750 in prize money. Closing date is 11:59PM ON 1 JULY 2013.
You can use any pencil including water-soluble, pastel, graphite, charcoal or colouring pencils on any 2 or 3 dimensional support.
KEY DATES
1 July 2013: Deadline for entry
15 July 2013: All artists notified of first stage selection process
w/c 9 September 2013: Delivery of work
16-21 September 2013: Exhibition opens to public
18 September 2013: Private View and Prize Winners announced
October – December 2013: Exhibition tour
The work selected for exhibition must be available from September to 31 December 2013.
Let me know if you win!
YouTube Follower, JSWHISS asked me to draw feet this week. I think hands are the hardest, but now I’m not so sure. I think I’ve been in denial about feet. If I can, I draw feet off the page or hide them behind something in the foreground, as that’s a lot simpler.
I generally find that if in doubt, I go to see what the Ancient Greeks did as they really knew how to draw and make it simple. That’s what I did when I was drawing my Olympia books that I show in the video.
If you were thinking of getting one or two copies, it really helps support this website and my drawing videos if you use the Amazon Links below. Thanks.
I went to Brussels in Belgium on the Eurostar Train this week and I took my sketchbook with me. I thought it was a great way to share the experience with you as it is a record of my thoughts and things that catch my eye as I go along.
I was visiting the British International School in Brussels, which is in a wonderful old house full of Art Nouveau and Art Deco details. I had a great time there meeting the children, who come from all over the world, telling them stories and showing them how to draw stuff!
Thanks to everyone at the school for arranging the trip and making it both possible and memorable.
Requested by @TheWarden43 from YouTube, this video shows you how to draw a pizza from above and from the side with a little extra painting at the end. Enjoy with pepperoni, mushrooms, tomatoes, anchovies and olives!
What’s your favourite Pizza?
Learn how to draw a Pepper Mill uand shade it with stipple shading. This is created by drawing a lot of dots. It’s a lot of work – enought to drive you dotty, in fact! But you get a great effect when it is finished.
Here is a wonderful infographic I came across that explains everything about making art for other people, either as a professional or as someone who wants to have their work seen and appreciated by others.
What EVERY Creative Person with a Product or Service Absolutely NEEDS to Know – A graphic by Alex Mathers at www.redlemonclub.com
© 2013 Red Lemon Club. All rights reserved
click for larger picture
Follow the instructions on the video and when you are ready to draw click on the picture for simple drawings of the main stages of construction. Have fun… and may the force be with you!
Copyright is a tricky subject. It is mostly misunderstood and many artists, writers and musicians are duped or misinformed about what copyright is.
But the nature of copyright is changing. When reproduction was difficult and expensive, copyright was easy to police. Now it is easy to and cheap to copy and almost impossible to police. Law is no use if it cannot be applied. What will creators do in the future?
I was really pleased to be contacted by Paul on YouTube today, who asked me what I thought of this video by Myron Barnstone, who teaches drawing at the Barnstone Studios, which I’m sorry to say I’d not come across before. Myron so perfectly encapsulates my thoughts about drawing and art teaching, I really wanted to share this video with you too.
I was lucky, my very first teacher, when I was 18, sat me down and showed me how a pencil works and showed me the shapes in the things that I was drawing. I only had that teacher for five or six months, but he literally changed the course of my life… in one lesson!
After school I went into a small print shop where I pretty much had to work it out myself. I learned a huge amount about type and the technicalities of Letraset and and wonderful machine called a headliner that produced crisp type on a strip of photo paper. All the time I was drawing and teaching myself with books from the library, trying stuff out. I then worked with a sign writer who really did instruct me. Like Myron says of his students in this video. I still feel him breathing over my shoulder as he points out where I’m going wrong all these years later!
Later I I worked for the land registry and had very strict training in watercolour wash techniques, which have stood me in good stead ever since.
Art college was three years of working it out myself. We received no instruction at all. In fact I often had to teach the skills I’d learned in the real world to my fellow students and on a couple of occasions to visiting lecturers! Our Lecturers “didn’t want to spoil out raw talent,” so they gave us a project and went to the pub for the rest of the week. Looking back, we floundered. Most never bothered coming in to college – there weren’t any classes to attend and if a lecture was arranged we’d got so out of the habit of attending no one ever went. It must have been soul destroying for the lecturers.
Myron is right. If you are serious, learn and get trained somehow. Then rebel after you know what you are doing and add your bit to the world of art and it’s body of work, but if you just rely on talent, you have a very long and hard and lonely journey ahead of you.
Nick Strehle from Florida emailed me ask when I was going to do a video using the bic biro that I emptied doing a few drawings earlier this year, like the http://www.shoorayner.com/durers-rhinoceros-drawn-from-memory-with-bic-biro or http://www.shoorayner.com/how-to-draw-a-snake-for-chinese-new-year/ or http://www.shoorayner.com/how-to-draw-an-angry-wolf/
Well, this video is what I had in mind. The biro works as an embossing tool. I’ve drawn a wedding disco with everyone dancing, but I’ve only drawn their skeletons. When you rub over the top with a graphite pencil a picture of the disco comes to life. I’ve rambled a bit with the story of the wedding party Im afraid!
